(1) When even the most specialized of academic specialists cannot hope to keep up with the deluge of publication in their narrow specialty, the result is a new and distinctive kind of social volatility borne of something like information overpopulation. Research findings would then resist synthesis into social action, operating only in fragments scattered far and wide throughout the social system. Many collective advances would remain mere potentialities whose likelihood of manifesting plummets as the system continues to grow in scale. No matter the gross quantity of raw information such gains in scale might beget, the basic unit of social agency (the individual human being) stays pretty much the same. Ditto the system gain from pooling such units into networks (e.g. research teams, political action committees, musical ensembles) which show diminishing returns at scales proportionate to today's information overload. Even the effect of introducing better information into the system is mitigated by diffusion given such vast scale as the current global village (not to mention its Virtual shadow-world) has attained. The tortu(r)ously slow burn of incremental progress seems pleasurable in comparison to the fracturing and anomie which the present situation promises to engender.
(2) The above assumes that an increase in the gross quantity of overall knowledge production begets a corresponding and proportionate increase in the (smaller) gross quantity of competent and constructive knowledge production; this as opposed to merely spreading ever thinner a fixed quantity of collective intellectual potential. This is a very large assumption which may not be warranted; but if not, then we are left with an older, simpler problem: the haystacks grow while the needles and the metal detectors pretty much stay the same. As for the sentient pieces of throbbing flesh wielding the latter device, one can only hope that their dignity is not too closely cherished.
(3) Perhaps then there is something to be said for periodically turning one's back on the great data diffusion and carving out a little extra time to cherrypick the choicest nuggets from the twilight of pre-computerized thought, e.g. in the same vein as Debord but with a dash more childlike curiosity and a tad less puerile obstinacy. Whatever strictly perspectival shortcomings individual thinkers of the recent past might now be understood to have had, at least the economy of ideas within which they were subsumed was of a more just and optimal scale. Even the choicest of today's intellectual nourishment is grown in depleted soil, meanwhile, and thus perspective has become a problem of abundance rather than one of scarcity. If this is not quite a fatal blow to progress, it just as surely has not been adequately accounted for by progressives who merely consider the ostensible quality of information but not the system-level prospects for making any use of it whatsoever. In any event, it promises to be a very long time indeed before ideas are again permitted to circulate in an optimally-scaled intellectual environment; optimally-scaled, that is, not merely for progress but also for dignity.
(4) A recent 30 second junket on Google produces one intriguing and one utterly demoralizing revelation: (a) the term/concept "descaling" has found at least cursory usage in the heavy economics literature; (b) in absence of companion terms to narrow the field, any such Google search is badly confounded by the far more pressing and widely discussed issue of how to clean a coffeemaker.
Showing posts with label cynics and cynicism. Show all posts
Showing posts with label cynics and cynicism. Show all posts
28 December 2017
08 October 2013
Exit Strategies IV: Equal Time
Regular readers, if I have any, are no doubt accustomed to a steady diet of negativity and skepticism regarding just about every topic I choose to address. CalArts issues certainly have not been excepted. In my defense, I can only insist that a pure nihilist and absolute skeptic would not see the need to pour so much time and effort into polishing his purely nihilistic, absolutely skeptical evaluations of the world into moderately presentable prose missives and uploading them into an already-bizarre web-based interface which, to boot, is rendered only semi-functional by the age of his decaying computer. The worldview of this hypothetical person is one whereby the tasks to which I typically set myself here are superfluous. I see fit to mention that every so often just in case it's not otherwise obvious.
Quite to the contrary, I happen to cling to a garden-variety blogospheric aspiration that I think unites many writers of seemingly disparate orientations and styles, namely the faith that spewing our vitriol all over the internet might eventually have some small impact on someone else's thinking on a subject of particular importance to us both, even if that impact is merely to sharpen and clarify a dissenting view, and further, that the act of engaging in this dialogue is of limited but nonetheless vital importance to building and sustaining a functional, living and conscientious musical culture, such a culture being one small but necessary facet of a similarly functional and conscientious larger society.
Such it is that lurking beneath my outer cynic is an inner utopian, and I don't just mean in having the audacity to think people might actually read, but rather to imagine that by doing so they might come to understand the world a little bit better for the purpose of improving it. That is why I have invested a bit more than people of my parents' generation might recommend in following a variety of other music-oriented blogs, and it is ultimately just what I aspire to offer here for whoever might be up for it, even if it seems on the surface that I'm just a chronic bellyacher. Having said all of that, I do occasionally give thought to the overwhelmingly negative character of this blog and what that means for me, for the reader, and yes, for the world. To wit, as I've now more or less exorcised my grad school grievances, it occurs to me that some "equal time" is indeed in order, be as it may destined to fall well short of truly balancing the amount of criticism I've already leveled.
So...[clears throat]...My time at CalArts was a transformative experience in the fullest and most positive sense of that term. Two years is not nearly long enough to fully avail oneself of the human, curricular and physical resources of this school, and yet I doubt that I have ever been more productive during any other period of my life, at least not across all of my concurrent musical interests at once, a direct credit to an institution that is uniquely conducive to and encouraging of the kind of informed eclecticism that has marked my musical maturity. Similarly, what I have seen and heard so far from the network of recent and not-so-recent CalArtian musicians living and working in the greater Los Angeles area is staggering in both technical polish and creative potency. The end-times-like vibe of so many current extramusical events notwithstanding, there is greater potential here for me than I yet know quite what to do with, and I quite look forward to figuring it out.
There. Is that better?
Quite to the contrary, I happen to cling to a garden-variety blogospheric aspiration that I think unites many writers of seemingly disparate orientations and styles, namely the faith that spewing our vitriol all over the internet might eventually have some small impact on someone else's thinking on a subject of particular importance to us both, even if that impact is merely to sharpen and clarify a dissenting view, and further, that the act of engaging in this dialogue is of limited but nonetheless vital importance to building and sustaining a functional, living and conscientious musical culture, such a culture being one small but necessary facet of a similarly functional and conscientious larger society.
Such it is that lurking beneath my outer cynic is an inner utopian, and I don't just mean in having the audacity to think people might actually read, but rather to imagine that by doing so they might come to understand the world a little bit better for the purpose of improving it. That is why I have invested a bit more than people of my parents' generation might recommend in following a variety of other music-oriented blogs, and it is ultimately just what I aspire to offer here for whoever might be up for it, even if it seems on the surface that I'm just a chronic bellyacher. Having said all of that, I do occasionally give thought to the overwhelmingly negative character of this blog and what that means for me, for the reader, and yes, for the world. To wit, as I've now more or less exorcised my grad school grievances, it occurs to me that some "equal time" is indeed in order, be as it may destined to fall well short of truly balancing the amount of criticism I've already leveled.
So...[clears throat]...My time at CalArts was a transformative experience in the fullest and most positive sense of that term. Two years is not nearly long enough to fully avail oneself of the human, curricular and physical resources of this school, and yet I doubt that I have ever been more productive during any other period of my life, at least not across all of my concurrent musical interests at once, a direct credit to an institution that is uniquely conducive to and encouraging of the kind of informed eclecticism that has marked my musical maturity. Similarly, what I have seen and heard so far from the network of recent and not-so-recent CalArtian musicians living and working in the greater Los Angeles area is staggering in both technical polish and creative potency. The end-times-like vibe of so many current extramusical events notwithstanding, there is greater potential here for me than I yet know quite what to do with, and I quite look forward to figuring it out.
There. Is that better?
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