For only the third time in my adult life, I went to a
protest/demonstration/rally last weekend. Such events
were held worldwide to commemorate the
fourth anniversary of the beginning of the Iraq War.
The event included a march of roughly a mile during
which my fickle ears (hyuk hyuk) took note of some
curious musical phenomena, including:
•a
trumpet player playing "Charge" on the wrong partials
(you can play it correctly on any brass instrument
using any fingering if you start on the third partial
and end on the sixth partial; somehow, this person was
consistently ending on the fifth partial);
•a
spontaneous a capella rendition of We Shall
Overcome which modulated not only chromatically, but
also diatonically (!) so that it ultimately landed in
a key noticably below where it startedand ended
on scale degree 7 instead of 1;
•a variety of
solo and ensemble percussion music which displayed an
exceptional rhythmic ineptitude.
To be clear,
this is obviously my problem and not theirs. No one
notices or cares about these things save for the few
of us public conservatory-educated music dorks, and
you can hear them anywhere and everywhere that large
crowds gather and attempt to make spontaneous
functional music (major league baseball games are the
worst in my experience). It's not life and death by
any means, but I am always intrigued (and call me an
elitist, but also very disappointed) at the overall
level of musicianship of the average Joe. I'm quite
tempted to show up to the next one wearing a
sousaphone, and if any of you other musicians out
there ever have the time and inclination to attend
such an event, please bring your instrument and
musical talents along if at all possible. They are in
high demand.
20 March 2007
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