15 July 2024

Rank—Art and Artist (viii)—Partiality and Totality


Otto Rank
Art and Artist
trans. Charles Francis Atkinson
(1932/1989)


[100] I have already, in another connexion, starting from the psychology of the neurotic and discussing psychotherapeutic possibilities of curing him, emphasized the therapeutic and indeed absolutely vital character of illusions

in contrast to Freud,

who regards them (even from a historical point of view) merely as infantile wish-fulfilments which we have to outgrow.

I believe, however, that everything that is consoling in life—that is, everything therapeutical in the broader sense —can only be illusional, and even the therapeutic effect of analysis I have tried to explain in my latest "technical" work by the unreality of the analytical situation.

12 July 2024

Rank—Art and Artist (vii)—On Abstraction and Intuition


Otto Rank
Art and Artist
trans. Charles Francis Atkinson
(1932/1989)


Chapter Four
THE PLAY-IMPULSE
AND ÆSTHETIC PLEASURE



...

[91] Worringer has very rightly objected that art has up to now
[92]
been studied far too much from the standpoint of the æsthetic effect of the finished product , in the case of the Classical above all. The catchword of this method of criticism was "intuition (Einfühlung)," a word minted by Theodor Lipps, which, according to Worringer, stops short at the psychology of Classical art. To this intuitive æsthetic of Classical art he opposes the abstraction-character of primitive art , which produces pure style-forms where the craving for "feeling oneself into" leads to naturalism . But valuable as this critical demarcation of the Classical art-feeling may be, Worringer's application of his psychology of style to the problem has not enabled him to grasp the spiritual part played in the forming of style by the individual's urge to artistic creativity.

i.e. To jump ahead a few pages:

abstraction and intuition
are
not specifically
characteristic of artistic experience,
but
are general psychological attitudes
towards the world

.

07 July 2024

Becker—Escape From Evil (iv)


Ernest Becker
Escape From Evil
(1975)


[146]

CHAPTER TEN

Retrospect and Conclusion:
What Is the Heroic Society?

. . . if we can no longer live the great symbolisms
of the sacred in accordance with the original belief
in them, we can, we modern men, aim at a second
naiveté in and through criticism.
Paul Ricoeur

...

As far as the science of man is concerned, many thinkers since the Enlightenment have believed that everything is possible for a science of society. ... All we have to do, they claim, is to change the structure of things and a new society will emerge...

[147]

... Revolutionaries still today trumpet this philosophy of history as the fall of pure men into corrupt social structures.

The reason the philosophy is so attractive is that men need hopes and ideals to urge them on—... All truths are part-truths as far as creatures are concerned, and so there is nothing wrong with an illusion that is creative. Up to a point, of course: the point at which the illusion lies about something very important, such as human nature. If it is false to that, then it becomes oppressive, because if you try falsely to make a new beginning you fail. I know that this bit of wisdom is already stale to our epoch, but even in its staleness we can't let go of it. ... Marxism in its traditional form is simply not a correct guide for a new society. But the irony is that we simply do not know what to do with this stale truth. That is why there is such a crisis in Marxist thought, in leftist-humanist thought. ...

Becker—Escape From Evil (iii)


Ernest Becker
Escape From Evil
(1975)


[96]

CHAPTER EIGHT

The Nature of Social Evil

Nor can we deny that we all eat and that each
of us has grown strong on the bodies of innumer-
able animals. Here each of us is a king in a field
of corpses.
Elias Canetti

We have seen with Rank that the driving force behind evil in human affairs stems from man's paradoxical nature: in the flesh and doomed with it, out of the flesh in the world of symbols and trying to continue on a heavenly flight. ...

Our great wistfulness about the world of primitive man is that he managed willy-nilly to blunt the terrible potential destructiveness of the drama of heroism and expiation. He didn't have the size, the technological means, or the world view for running amok heroically. Heroism was small scale and more easily controlled:... ...a kind of warfare that has always made military men chuckle. Among the Plains Indians it was a kind of athletic contest in which one scored points by touching the enemy; often it was a kind of disorganized, childish, almost hysterical game... Anyone was liable to be snatched out of his hut at daybreak, and on mountainous islands like those of Polynesia groups lived in continual fear of those just over the

[97]

ridge... This is hardly the ideal of altruism, and there are very few today who have a romantic image of primitive man's peaceful nature;... Since we do not experience the terror of the occasional victims of primitive raids, we can look back nostalgically at the small numbers consumed at random, and compare them with those who died in one day at Dresden or one flash at Hiroshima.

Rousseau had already wistfully observed the comparatively low toll of life that primitive warfare took, and a whole tradition of social analysts including Marx agreed with him. ... Today we are agreed that the picture looks something like this: that once mankind got the means for large-scale manipulation of the world, the lust for power began to take devastating tolls . ...

Becker—Escape From Evil (ii)


Ernest Becker
Escape From Evil
(1975)


[52]

CHAPTER FOUR

The Evolution of Inequality


Radin's view of how shamans and elders gained control of ritual is full of volition, scheming, competitiveness ;... At the level of equalitarian society—simple hunting and gathering tribes—Radin's scheme... is compelling. But what I like about Hocart's view of the growth of privilege at a later stage of social evolution is that it accents the other side: the common accord with which men reach for their own subjection.

In Radin's equalitarian society organismic well-being is achieved by an economy of reciprocal exchange;... In Hocart's rank society there is a new economic process: the flow of goods funnels to a center of power... he takes the surplus, pools it, and then gives it out as needed.

Immediately the question arises, Why did people go from an economy of simple sharing among equals to one of pooling via an authority figure who has a high rank and absolute power? The answer is that man wanted a visible god always present to receive his offerings, and for this he was willing to pay the price of his own subjection. In Hocart's words:

The Fijians had invisible gods, sometimes present in the priest or in an animal; they preferred a god always present, one they could see and speak to, and the chief was such a god. That is the true reason for a Fijian chief's existence: he receives the offerings of his people, and in consequence they prosper.

[53]

That is, they prosper because there is a god right on the spot that visibly accepts their offerings; thus there is no doubt about their favor in his eyes.

... Prosperity and chiefs were associated because the tribes with great chiefs were actually more prosperous. Hocart explains this as a circular process : the wealthier tribes were more energetic, and so they rose among their neighbors. But part of the reason that they were more energetic was that "there is no doubt that present divinity evoked an enthusiasm which acted as a tonic, and braced men to greater efforts." "A Fijian will put his back into his work when striving to shine in the eyes of the great man." Imagine what a stimulus it would be to our own efforts today if we could actually see that God was satisfied with the fruits of our labors. ...

... Besides, says Hocart, if you are without a king you are in a position of inferiority in relation to your neighbors ; when others parade their visible god, and their favor in his eyes, how can you stand being shown up as having no god of your own? The Jews were mocked in the ancient world because they had no image of their god, he seemed like a mere figment of their imagination;... ... one always knew how one stood with the visible god , but the Israelis were never sure how they stood with their invisible one —the whole thing must have seemed sick.

To speak of the Pharaoh is to sum up the whole process: once you have a visible ritual principal in the form of a chief or a king,

[54]

a visible god, by definition you already have divine kingship—the great emergent tyranny of the ancient world. ... Divine kingship sums up the double process of macro- and microcosmization: it represents a "solarization of man, and a humanizing of the sun."

Becker—Escape From Evil (i)


Ernest Becker
Escape From Evil
(1975)


[xv]

Prefatory Note

Approaching death, Ernest Becker requested that the original manuscript of this, his final book, rest private and unpublished in a desk drawer, no energy remaining in him for any further barter with the gods. Believing the work to be an eloquent closure of his scientific literary career, Robert Wallace and I (with some initial anguish over the risk of irreverence) firmly decided upon publication realizing that had the time remained, the author himself would have done so for what he considered to be his magnum opus. ...

Marie Becker


06 July 2024

Rank—Art and Artist (vi)—Life and Creation


Otto Rank
Art and Artist
trans. Charles Francis Atkinson
(1932/1989)




[37]

Chapter Two
LIFE AND CREATION

...

[38]

...the fundamental problem of the relation between living and creating in an artist,...the reciprocal influence of these two spheres.
...creativity lies equally at the root of artistic production and of life experience. ...lived experience can only be understood as the expression of volitional creative impulse, and in this the two spheres of artistic production and actual experience meet and overlap. Then, too, the creative impulse itself is manifested first and chiefly in the personality, which, being thus perpetually made over, produces art-work and experience in the same way. ...

[39] In creation the artist tries to immortalize his mortal life. He desires to transform death into life, as it were, though actually he transforms life into death. For not only does the created work not go on living; it is, in a sense, dead; both as regards the material, which renders it almost inorganic, and also spiritually and psychologically, in that it no longer has any significance for its creator, once he has produced it. ...

...besides the original biological duality of impulse and inhibition in man;...[there is also to be reckoned with] the psychological factor par excellence, the individual will, which manifests itself both negatively as a controlling element, and positively as the urge to create. This creator-impulse is not, therefore, sexuality, as Freud assumed, but expresses the antisexual tendency in human beings, which we may describe as the deliberate control of the impulsive life. ...

[40] If we compare the neurotic with the productive type, it is evident that the former suffers from an excessive check on his impulsive life, and according to whether this neurotic checking of the instincts is effected through fear or through
[41]
will, the picture presented is one of fear-neurosis or compulsion-neurosis. With the productive type the will dominates, and exercises a far-reaching control over (but not check upon) the instincts, which are pressed into service to bring about creatively a social relief of fear. Finally, the instincts appear relatively unchecked in the so-called psychopathic subject, in whom the will affirms impulse instead of controlling it. In this type...we have, contrary to appearances, to do with weak-willed people...; the neurotic, on the other hand, is generally regarded as the weak-willed type, but wrongly so, for his strong will is exercised upon himself and, indeed, in the main repressively...

And here we reach the essential point of difference between the productive type who creates and the thrwarted neurotic... Both are distinguished fundamentally from the average type, who accepts himself as he is, by their tendency to exercise their volition in reshaping themselves. ...

Art and Artist (v) + Bodies and Artifacts (v)


Otto Rank
Art and Artist
trans. Charles Francis Atkinson
(1932/1989)




[11] Primitive religion, as a belief in souls (as we know it), is originally so abstract that it has been called irreligious by comparison with higher religions, in which the gods have already assumed concrete form. But from a study of these abstract preliminary stages of religion, which are a matter of spirits and demons, we see also that the urge for abstaction in primitives is rooted in the soul-belief that, in the intellectualized form of the East, culminates in the absolute abstract of the soul. Compared with the idea of the soul or its primitive predecessors even the abstractest form of art is concrete, just as on the other hand the most
[12]
definite naturalism in art is abstract when compared with nature.

Good point, re: relative qualities. Naturalist artists are trapped in abstraction much as Satanists are trapped in Christianity.

But the origins-of-religion stuff is hard to follow. If the gods have already assumed concrete form in higher religions , did the "lower" religions not project the god-force onto very concrete beings and objects? The omniscient Christian god seems ultimately abstract compared to myriad snake-gods whose abstract being may at least inhabit real snakes periodically.

Rank—Art and Artist (iv)—Dynamic Needs of Equalization


Otto Rank
Art and Artist
trans. Charles Francis Atkinson
(1932/1989)




[xlviii] a paradoxical phenomenon discloses itself, which will not startle the psychologist and indeed will facilitate our approach to the understanding of the spiritual dynamism in artistic creativity. The autonomous individualism of primitive man, as well as that of the lordly masters appears to be more dependent on Nature in its artistic creativeness than is the sedentary collective type of man, who, though depending to a great extent on nature's moods and his own environment (of commerce), can yet rise to abstractions in art which are quite independent of reality. We shall see presently how this compensatory function of the art-form brings the development of personality and its dynamic need of equalization into unison. Here I would merely point out...that in neither of the two art-forms is it a question of an absolute style-principle, but only of a more or a less, while at the same time both style-forms alike possess the tendency to reproduce something absent , which in certain cases happens to be a natural object, while in others it pictures an idea. The obvious purpose in this tendency is domination , whether this takes the form of a naturalistic representation of an animal as a hunting spell or of the symbolic representation of a human abstraction. Behind both there is the creative will of the personality, which only now and then manifests itself directly, and at other times reacts to the compulsion of collective society and gives expression thereto. Undoubtedly this second art-form...is more capable of development, not only for stylistic and aesthetic, but for psychological reasons as well. For the abstraction at the base of this mechanical art represents even in itself a rising above nature, and it can be still further intensified and varied, whereas in naturalistic or organic art the objects within a cultural environment are limited, so that the artistic effort to deal with them otherwise than in their natural setting does not find them very malleable. In a word, art consists in the latter case of arbitrary

[xlix]

re-creation (not copying) of the given objects; in the other, of the new creation of ever changing ideas. Nevertheless, for both we must assume a creative force in the individual himself, which has to be studied in its various forms before we can arrive at a deeper understanding of the art-forms produced by it.

[end of Introduction]




I

Rank's

feeling is insistent that artistic creativity, and indeed the human creative impulse generally, originate solely in the constructive harmonising of this fundamental dualism

of individual and collective. (p. xxii)

By therefore relegating

biography (or pathography)

to the margins, Rank reestablishes a line (perhaps a barrier) between transmission and reception, a line that uncritical, self-projecting observers have tended to blur.

I see no reason why the audience cannot also be creating something through their participation, incommensurable as that something may be with what the artist has presented to them. Yes, reception can be a (self-)generative act, a transformative act, or at the very least an act of consolidation, a renewing of vows to ego and/or to alter. Audiences must also have some dynamic need of equalization even if that need is not as tempestuous as that of the artist-type . But I also see no reason why we should be obligated to assume this of the audience tout court. The old saw about actions speaking louder than words is never too obvious or trite to be relevant. Experience permits us to be dubious when someone tells us offhandedly that a song or a movie or an unrealized concept piece "changed my life." Don't tell me, show me. Don't write your own biography so mechanistically. The fact that you yourself have done it does not make it valid.

05 July 2024

Becker—Birth (vi)


Ernest Becker
The Birth and Death of Meaning
(1970)


[155]


Chapter Twelve

WHAT WOULD A SCIENCE
OF MAN THEN BE?

The Merger of Social, Psychological, and
Political Theory



"The real possibility is one which can materialize, considering the
total structure of forces interacting in an individual or in a society.
The real possibility is the opposite of the fictitious one which
corresponds to the wishes and desires of man but which, given the
existing circumstances, can never be realized."
Erich Fromm
(1964, p. 140)



One thing that right away lightens the burden of our inquiry into the real is that all of human evolution and history has been a search for the true interrelationships of things; we have been probing reality for hundreds of thousands of years. When man found that certain ways of doing things worked to bring him satisfaction and survival, these ways became true and right; ways that didn't work became false and wrong. And so moral codes grew up around the interrelationships of things, theories of good and evil that tried to separate the real from the illusory.

The curious thing about this long search for reality, as

[156]

anthropologists have long known, is that a large part of it was accidental. Primitive man did not know the interrelationships of things in many areas of his life, and he thought these interrelationships were primarily invisible and spiritual. As a result, when something important did not work, he looked for any clues he could get, any kind of chance hints and associations. ...

... The second curious thing about accidental causal explanations is that they did not vanish from the earth with prehistoric evolution, but remained an intimate part of human beliefs all through human history, right up to yesterday, so to speak. The Athenian civilization that we so much admire for its noble reason began to expire in the blood of its soldiers on the beaches of Sicily, while its admirals cut open chickens to try to get a good entrail reading for a propitious time of departure. ...

[157]

...

Becker —Birth (v)


Ernest Becker
The Birth and Death of Meaning
(1970)


[112]


Chapter Ten

CULTURE: THE RELATIVITY
OF HERO-SYSTEMS


"If the end of all is to be that we must take our sensations as simply
given or as preserved by natural selection for us, and interpret this
rich and delicate overgrowth of ideas, moral, artistic, religious and
social as a mere mask, a tissue spun in happy hours . . . how
long is it going to be well for us not to 'let on' all we know
to the public?"
William James


...

[113]

...: in things social, man is the only discreditor of man. ...

One of the main reasons that cultures can be so directly undermining to one another is that, despite their many varieties, they all ask and answer the same basic questions. So that when two different ways of life come into contact they clash on the same vital points. There are only a handful of such vital points or "common human problems" (cf. Kluckhohn, 1950);... One of the great advantages of being able to boil the human situation down to the same questions the world over is that it partly lifts the screen that divides us from other peoples and ways of life. ...there is what anthropologists have long recognized as "the psychic unity of mankind":... ...even if you can never actually feel and see as another, you can understand strange premises and see sympathetically why people do not act as we do. ...

[114]

...

Becker—Birth (iv)


[75]


Chapter Eight

CULTURE AND PERSONALITY

The Standardization of the Self-Esteem


"We are born to action; and whatever is capable of suggesting and
guiding action has power over us from the first."
CHARLES HORTON COOLEY

". . . mankind's common instinct for reality . . . has always held the
world to be essentially a theatre for heroism."
WILLIAM JAMES

If there were any doubt that self-esteem is the dominant motive of man, there would be one sure way to dispel it; and that would be by showing that when people do not have self-esteem they cannot act, they break down. And this is exactly what we learn from clinical data, from the theory of the psychoses, as well as from anthropology. ...

[76]

... Anthropologists have long known that when a tribe of people lose the feeling that their way of life is worth-while they may stop reproducing, or in large numbers simply lie down and die beside streams full of fish:...

... It is wrong to say that man is a peacock, if we mean thereby to belittle his urge to self-glorification, and make it seem a mere matter of vanity and self-display. ...when we tally the sum of these efforts, the excruciating earnestness of them, the eternal grinding-out of the inner-newsreel, we can see that something really big is going on—...

This is the uniquely human need,... each person's need to be an object of primary value, a heroic contributor to world-life—... This seems to be the logical and inevitable result of the symbolic constitution of self-worth in an unbelievably complex animal with exquisitely sensitive

[77]

and effusive emotions. ... Self-preservation, physio-chemical identity, pulsating body warmth, a sense of power and satisfaction in activity—all these tally up in symbolic man to the emergence of the heroic urge. ... Freud saw the universality of narcissism, and revealed the invertedness and the clinical liabilities of it. Adler too studied the neurotic overemphasis on the "Will to Power," and made the idea a central part of his formulations. But it was Nietzsche, earlier, who saw the healthy expression of the "Will to Power" and glory, the inevitable drive to cosmic heroism by the animal who had become man.

... If you are a psychiatrist or social worker, and want to understand directly what is driving your patient, ask yourself simply how he thinks of himself as a hero, what constitutes the framework of reference for his heroic strivings—... If you are a student of society, and want to understand why youth opts out of the system, find out why it fails to offer them the possibility of real heroism. If you are a child psychologist you already understand the

[78]

deeper meaning of what we casually and often scornfully term "sibling rivalry." ... The child needs to be an object of primary value, and by definition only one person can be primary;... Children are not vicious animals struggling to dominate rivals, but culture-heroes in the making, desperately trying to stand out.

Becker—Birth (iii)


Ernest Becker
The Birth and Death of Meaning
(1970)


[65]


Chapter Seven

SELF-ESTEEM

The Dominant Motive of Man


"The supreme law [of life] is this: the sense of worth of the
self shall not be allowed to be diminished."
Alfred Adler

(in Ansbacher, 1946, p. 358)


... Whenever psychoanalysts talked about motives they seemed most fallible:... ...people were just not baboons; and even though they entirely lacked self-knowledge, they felt lingering doubts about psychoanalytic interpretations of their deeper desires. Psychoanalysts, of course, seized upon this rebellion as an example of denial based on repression:...

[66]

... And so it went, and still goes, in large part, in "orthodox" Freudian analysis. ...

...if instincts do not drive man, what then, does? ...Alfred Adler... broke with Freud very early on this problem, when he very clearly saw... that the basic law of human life is the urge to self-esteem. ...

Self-esteem, as the psychoanalysts say, begins for the child with the first infusion of mother's milk,... Self-esteem becomes the child's feeling of self-

[67]

warmth that all's right in his action world. It is an inner self-righteousness that arms the individual against anxiety. ...it is the durational extension of an effective anxiety-buffer. the seemingly trite words "self-esteem" are at the very core of human adaptation. They do not represent an extra self-indulgence, or a mere vanity, but a matter of life and death. ...

...the entire early training period of the child is one in which he learns to switch modes of maintaining self-esteem. ...his vital sentiment of self-value no longer derives from the mother's milk, but from the mother's mouth. It comes to be derived from symbols. ...the child's basic sense of self-value has been largely artifcialized. His feeling of human worth has become largely a linguistic contrivance. And it is exactly at this point that we deem that he has been socialized or humanized! ...

Once this has been achieved the rest of the person's entire life becomes animated by the artificial symbolism of self-worth; almost all his time is devoted to the protection, maintenance, and aggrandizement of the symbolic edifice of his self-esteem. ...

[68]

...

Becker—Birth (ii)


Ernest Becker
The Birth and Death of Meaning
(1970)


[27]


Chapter Four

THE INNER WORLD


Introduction to the Birth of Tragedy


"The great fundamental . . . Doctrines . . . are . . . taught so early, under such circumstances, and in such close and vital association with whatever makes or marks reality for our infant minds, that the words ever after represent sensations, feelings, vital assurances, sense of reality—rather than thoughts, or any distinct conception. Associated, I had almost said identified, with the parental Voice, Look, Touch, with the living warmth and pressure of the Mother, on whose lap the Child is first made to kneel, within whose palms its little hands are folded, and the motion of whose eyes its eyes follow and imitate—(yea, what the blue sky is to the Mother, the Mother's upraised Eyes and Brow are to the Child, the Type and Symbol of an invisible Heaven!)—from within and without, these great First Truths, these good and gracious Tidings, these holy and humanizing Spells, in the preconformity to which our very humanity may be said to consist, are so infused, that it were but a tame and inadequate expression to say, we all take them for granted."
Samuel Taylor Coleridge
(1825, p. 207)



...

[28]

...theoretically all objects in nature have some "interiority" even though we experience only their outside. Gustav Fechner... wrote a widely read book on this topic a century ago, a book that influenced a thinker of the stature of William James. Fechner, in his scientific work, wanted to prove that there is an equal part of soul for every particle of matter—something today's laboratory psychologists conveniently forget about the great man. He said that all objects have interiority, even trees. Why not say that a tree leans on a fence because it feels weak, or soaks up water because it is thirsty; or that it grows crookedly because it is stretching toward the sun? ...


Indeed, why not say so? Apparently there is not reason not to :

mentalistic expressions from everyday language, such as thinking, knowing, believing, desiring, intending, and so on. How can we be sure that these terms are appropriate? Do they correspond to the actual intentional states held by others around us? ... According to Dennett (1983; 1987) we do not need to be sure. He argues that in order to understand phenomena in the world, one can adopt various strategies or “stances”, corresponding to different levels of theorising...

...“that fox digs a hole because it wants to build a nest” or “bird X believes that bird Y is hiding food”. Dennett argues that usage of everyday language is not problematic in such cases, as long as one keeps to the appropriate level of theorising. ... one can perfectly well make use of everyday mentalistic vocabulary as long as one is dealing with questions of some beings’ behaviour in their social environments, and not with the “lower level” mechanisms and physical processes underlying social living.

(Max van Duijn, The Lazy Mindreader, p. 35)

How very...dualistic!


Becker—The Birth and Death of Meaning (i)


Ernest Becker
The Birth and Death of Meaning
(1970)


[vii]

PREFACE

This is an ambitious book. In these times there is hardly any point in writing just for the sake of writing: one has to want to do something really important. What I have tried to do here is to present in a brief, challenging, and readable way the most important things that the various disciplines have discovered about man, about what makes people act the way they do. This is the most intimate question that we know,... One curious thing that separates the social from the natural sciences is that the natural sciences, with much fanfare, immediately communicate to the general public their most exciting new ideas : the social sciences tend to nurse their significant insights in scholarly oblivion . As a result people feel that the social sciences are not doing anything important or exciting. But the opposite is true:...

But we have also known for a long time that one of the reasons the social sciences work in oblivion is that they are not getting at knowledge that instantly makes people feel powerful and satisfied , that gives them the sense that they are taming their world,... The science of man is the science of man's knowledge about himself: it gives a chill in addition to a thrill ... We may be the only species in the universe, for all we know, that has pushed self-exposure to such an advanced point that we are no longer a secret to ourselves. As we will see in these pages the exposure of this secret is in many ways very unsettling,

[viii]

... If we could become comfortable with this knowledge and make it the general property of large masses of voters and their political representatives there is no doubt that we would probably become one of the wisest planets in the universe—at least of our form of life, and we would deserve our species title Homo sapiens, Man the Wise. We have a long and improbable way to go to accomplish this personal and political task, but my ambition in writing this book is nothing less than to contribute some small bit to that staggering end: an easily graspable synthesis of what we must know about ourselves if we are to deserve our name.

...

[ix]

...

There are two thinkers above all to whom I personally feel specially indebted for this mature psychology and whose vital work I had previously slighted to the real detriment of my own. One of them, Erich Fromm, is well known... The other thinker—Otto Rank—is today almost wholly neglected, and this new edition represents only a first reflection of my ridiculously belated "discovery" of his breathtakingly brilliant work. Rank truly is the brooding genius in the wings of Psychoanalysis, and we have only just begun to hear from him—... I am not trying to absolve myself of brash ignorance, but there is something perverse about our university education when it fails to show us the authentically cumulative tradition of thought. We have to discover the vital thinkers on our own and accidentally; our teachers, if anything, pooh-pooh the very people we should be studying, and we spend needless years just randomly and with luck coming into our own heritage.

...belatedly making peace with Freud and leaning onto Fromm and Rank means accepting into one's thought a truly rounded and less rosy view of human nature;... ...man is mostly innocent, really potentially good, even naturally noble; and as we will stress, society is responsible, largely, for shaping people,

[x]

for giving them opportunities for unfolding more freely and more unafraid. But this unfolding is confused and complicated by man's basic animal fears:... All this gives his life a quality of drivenness, of underlying desperation, an obsession with the meaning of it and with his own significance as a creature. And this is what drives him to try to make his mark on the world, to try to twist it and turn it to his own designs, to bury over the rumbling anxieties; and this usually means that he tries to twist and turn others,... As Rank put it so bluntly: Man creates "out of freedom a prison." This means everyman, in any society,...

...