(1) A lot of new stuff suddenly sounds a lot less new.
(2) It is a unique pleasure (not to say an essential one) to encounter severely "dated" music which nonetheless remains compelling.
(3) Only now is it obvious to me that my musically formative years (the late 1990s and early 2000s) had a unique and identifiable sound (the playing, the writing, and yes kids, even the production) which has undoubtedly left its mark. Even ECM's distinctive and consistent house production leaves room for this impression.
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