26 July 2025

Carroll—A contemporary introduction—Chapter 3—Part 1

Noël Carroll
Philosophy of Art: A contemporary introduction
(1999)

[SK's comments]


[108]

3
Art and form

Part I
Art as form

Formalism

Like the expression theory of art, formalism arose as a reaction to representational theories of art. And also like the expression theory, it was prompted by striking shifts in artistic practice. ... [i.e.] modern art or modernism. ... Cubism and Minimalism ... abstraction. ...

Undoubtedly, one

important cause

of the evolution of this type of modern art was

the advent of photography.

Important as in:
doing much of the causing?

Or, as in:
one cause among others,
  but "important" in some other way(s)?

20 July 2025

Carroll—A contemporary introduction—Chapter 2—Part 2


Noël Carroll
Philosophy of Art: A contemporary introduction
(1999)


[79]

Part II
Theories of expression

What is expression?

... even if not all art is expressive, much art is. ... [so] , we still need to say something theoretical about expression and art, inasmuch as quite a lot of art is expressive. ...

... in ordinary language. ... sometimes ["expression"] behaves like a synonym for "representation." ... "The White Paper expresses the British position" ... "The White Paper represents the British position." However, ... philosophers of art, ... typically when they talk of expression, they intend it to contrast with representation. ...

Another broad meaning of "expression" in everyday speech is roughly "communication." ... But ...

[80]

... this too is a broader sense ... than philosophers of art have in mind. ...

... when philosophers of art talk about what poems express, they are not thinking broadly about the communication of ideas. ... [but rather about]

certain human qualities

(also known as

anthropomorphic properties)

—notably, emotional tones, moods, emotively colored attitudes, ...

When I say "this poem is angry" I could mean at least two things: that the poet

reports that he is angry

... or that the poet

expresses anger.

... One could say [i.e. "report"] "We are angry" in the same tone of voice that one could say "Everyone here is over five feet tall." [But] ... when we express anger in life or in art, we

manifest

anger—we

show it forth.

... the quality of our anger saturates our utterance. ...

To express anger, in this sense, is to

get the feeling of anger across

—to make it perceptible (to

embody or objectify

it). ... Roughly ... to express ... is to manifest outwardly an emotive property— ...

... an artwork may also manifest a range of other human qualities ... we might say "The story is courageous" or "It expresses courage," ... Thus, what may be expressed are not only

emotive qualities,

but

any human qualities,