Fickle Ears

Jean-Michel Mension The Tribe: Conversations with Gérard Bérréby and Francesco Milo (1998) trans. Donald Nicholson-Smith p. 79 On the ...

Len Bracken Guy Debord—Revolutionary (1997) ...the difference between Adorno's ideas and Debord's relates less to the question o...

Song was an integral element of Gabrielino rituals, and although songs could be performed independently of dance or ceremony, the latter ac...

It was not just that Italians did not look white to certain social arbiters, but that they did not act white. In New Orleans Italian immigr...

The fourth and most understandable error we made...was to have turned over all aspects of freeway route selection and design to the enginee...

Walter Capps "Erik Erikson's Contribution Toward Understanding Religion" in Ideas and Identities: The Life and Work of Erik E...

In "progressive schools", Above all, the walls change their look. The walls of the modern grade school are decorated with the pai...

Greil Marcus Lipstick Traces: A Secret History of the Twentieth Century (1989) [My notes say:] p. 403—"On its own page, "The C...

Anselm Jappe Guy Debord (1993) trans. Donald Nicholson-Smith (1999) ...Debord's whole conception of society is founded on détournemen...

"A Maximum of Openness: Jacqueline de Jong in conversation with Karen Kurczynski" in Expect Anything Fear Nothing (2011) ed. Ra...

Kaufmann/Bononno, Guy Debord It's true that détournement is also based on a technique of dissimulation, if we insist on using the ter...

McKenzie Wark The Beach Beneath the Street (2011) pp.40-41—Détournement as resistance to ownership of the commons The only problem I hav...

Guy Debord and Gil J Wolman "A User's Guide to Détournement" (1956) in Situationist International Anthology (2006) trans....

Kurczynski, The Art and Politics of Asger Jorn p. 201—quoting directly a "somewhat humorous" passage of Jorn's: What an artw...

Kurczynski, The Art and Politics of Asger Jorn ...distrust of the prefabricated image in fact led him [Jorn] at first to dismiss—shortsigh...

Kurczynski, The Art and Politics of Asger Jorn ...this renewed interest in painting [in the 1950s] had an important social function as a p...

Kurczynski, The Art and Politics of Asger Jorn p. 186—in an endnote Baum ["The Sex of the Situationist International", 2008] defe...

Kurczynski, The Art and Politics of Asger Jorn ...the Lettrists stated in 1953, "Oblivion ( l'oubli ) is our dominant passion....

Kurczynski, The Art and Politics of Asger Jorn Jorn argues, "It is a basic weakness of Functionalism that it cannot tolerate the idea...

Kurczynski, The Art and Politics of Asger Jorn p. 105—on the Statsgymnasium in Aarhus Rational, ordered, rectilinear, Apollonian, the buil...

Kurczynski, The Art and Politics of Asger Jorn p. 34—on "collective creativity" and the "open work" Given the context ...